on 26 January at
Maxine's over the river
Fab photos courtesy of and with glowing thanks to Nathan Horton
Friday, January 29, 2010
Wednesday, January 27, 2010
Midweek special - (Invasion of) Australia Day: 26 January
Last night a great seething mass, mostly consisting of Australians of various varieties, descended on Maxine's in an attempt to (a) tip the establishment into the Tonle Sap and (b) celebrate (Invasion of) Australia Day 2010. Wave after successive wave of oh-no-it's-a-school-night punters frolicked through the door as the Cambodian Space Project pounded out its signature brand of spacey trippy heavy Khmer rock'n'roll. The doors even had to be closed at one stage to make sure only the most keen balcony destroyers got in.
In keeping with our tradition of never having the same line-up twice, the CSP welcomed the Swedish Ambassador to the fray, alternating between bass and percussion. As Bong Sak (aka Charlie Wat Phnom) was in the house I shared the drumming seat with him, also playing some bass, doing some untrained-so-don't-try-this-at-home MCing and even taking the opportunity to dance around in the pink suit as the band continued its frantic plunge towards an apparent oblivion, the three guitar attack of Space Commander Bong J, Gildas McSwashbuckle and The Lovely Irene (do you know how hard it is to play guitar left-handed??) pounding relentlessly on a bed of Eric's percussion. Or so it sometimes sounds. At least the mix was better this week, thanks to an early start on lugging the gear and some effort taken to get the vocal sound to rise above the throbbing sonic rush. Bong Thom, resplendent in hat and shorts, blew his harmonica so hard he busted his amp.
After three energetic sets, with a brief interlude comprising of a couple of my tunes slipped in for good luck, the Space Project collapsed in a couple of heaps and eventually dispersed into the night. Thanks to Snow for opening especially for the night, for treating the Project so well, and for filling up the gaps with 80s-era Oz Rock (I was going to say it never gets old, but on reflection perhaps it's best left for one day in the year to dance around to 1987 INXS).
This coming weekend: Hellhounds at Sharky on Thursday; CSP at META House Green Night on Friday; and the Space Project takes to the road to play on Otres Beach, Sihanoukville on Saturday.
Don't take any wooden money, folks.
In keeping with our tradition of never having the same line-up twice, the CSP welcomed the Swedish Ambassador to the fray, alternating between bass and percussion. As Bong Sak (aka Charlie Wat Phnom) was in the house I shared the drumming seat with him, also playing some bass, doing some untrained-so-don't-try-this-at-home MCing and even taking the opportunity to dance around in the pink suit as the band continued its frantic plunge towards an apparent oblivion, the three guitar attack of Space Commander Bong J, Gildas McSwashbuckle and The Lovely Irene (do you know how hard it is to play guitar left-handed??) pounding relentlessly on a bed of Eric's percussion. Or so it sometimes sounds. At least the mix was better this week, thanks to an early start on lugging the gear and some effort taken to get the vocal sound to rise above the throbbing sonic rush. Bong Thom, resplendent in hat and shorts, blew his harmonica so hard he busted his amp.
After three energetic sets, with a brief interlude comprising of a couple of my tunes slipped in for good luck, the Space Project collapsed in a couple of heaps and eventually dispersed into the night. Thanks to Snow for opening especially for the night, for treating the Project so well, and for filling up the gaps with 80s-era Oz Rock (I was going to say it never gets old, but on reflection perhaps it's best left for one day in the year to dance around to 1987 INXS).
This coming weekend: Hellhounds at Sharky on Thursday; CSP at META House Green Night on Friday; and the Space Project takes to the road to play on Otres Beach, Sihanoukville on Saturday.
Don't take any wooden money, folks.
Monday, January 25, 2010
A quiet weekend for once: 21 - 22 January
The Hellhounds were glad to welcome the Swedish Ambassador back on bass playing & hat wearing duties on Thursday night at Sharky's. It was great to have my rhythm section buddy back filling in the holes that I leave behind in the grooves occasionally. We slipped into the old patterns as easily as we downed the bacon and blue cheese burgers beforehand. Now, if we can only get a couple more channels in the mixer, the vocals can gather together as well ... expect some new songs when you drop in this Thursday.
Friday night I dropped in at The Cavern and chanced across Shangri-la, a cross-cultural trio made up of Russian Dave and some very good young Khmer players, a drummer and a keyboard player/singer. They played a well-rehearsed, tidily arranged collection of songs, and seem to walk the fine balance between pleasing both expat and local audiences. I'd like to see more fire, but hopefully that can be added once they're up and running. Oh, and in the contemporary Phnom Penh music tradition, there was some great hat wearing. The Cavern are promoting live music Friday nights at present, and I am looking forward to seeing what turns up.
Subsequently on Friday I popped by at Memphis to catch up with the mysterious Repris de Justesse, about whom nobody seemed to have any information at all, and was most disappointed to find it was just another 70s covers crowd-pleaser touring band - perhaps that's harsh, but I allowed them a song and a half to fail to impress me and left. Bad timing, really: I had to get up the next morning and move house.
(Invasion of) Australia Day on Tuesday - Cambodian Space Project live at Snow's (Maxine's) across the river from sundown!
Friday night I dropped in at The Cavern and chanced across Shangri-la, a cross-cultural trio made up of Russian Dave and some very good young Khmer players, a drummer and a keyboard player/singer. They played a well-rehearsed, tidily arranged collection of songs, and seem to walk the fine balance between pleasing both expat and local audiences. I'd like to see more fire, but hopefully that can be added once they're up and running. Oh, and in the contemporary Phnom Penh music tradition, there was some great hat wearing. The Cavern are promoting live music Friday nights at present, and I am looking forward to seeing what turns up.
Subsequently on Friday I popped by at Memphis to catch up with the mysterious Repris de Justesse, about whom nobody seemed to have any information at all, and was most disappointed to find it was just another 70s covers crowd-pleaser touring band - perhaps that's harsh, but I allowed them a song and a half to fail to impress me and left. Bad timing, really: I had to get up the next morning and move house.
(Invasion of) Australia Day on Tuesday - Cambodian Space Project live at Snow's (Maxine's) across the river from sundown!
Wednesday, January 20, 2010
Photo update:
Crazy headgear and funky eyewear: Check.
Gene Kupra meets Daelim school of drumming: Check
Too-cool-for-words rhythm guitar: Check
Guitar hero wearing orange, with bonus clarinet: Check
Self hiding from camera behind guitar hero: Check
Glamorous lead singer: Check
Crowd going wild: Check
Documentary proof of the Cambodian Space Project blasting off at Equinox 4th Birthday party, 15 January.
Photographs courtesy of Bruno "The Baron" Laurant - many thanks dude.
Monday, January 18, 2010
From burger-fuelled hounds to a cake for a pachyderm, via piracy: 14 - 17 January
Another big weekend kicked off with the continuation of the Hellhounds' January Blue Cheese and Bacon Burger Thursdays Tour of Sharky Bar that continues to bring blues to the blue and troubles to the troubled. Canadian Dave once again sat in for the Swedish Ambassador, who was a little jet lagged and assigned to bar-propping-up duties, but did take over the drums for a few numbers in the second set. As usual the adrenalin-pumping relentless machine that is the Hellhounds chalked up a few wins and a few losses, but ended on a high, such that the Mythical Dude, he of the sweet notes and deep deep bass, was left begging for more tunes. I'm told he returned to Sharkys the next night to let his guitar gently weep and wail some more, in the presence of Lost Highway.
On Friday night Equinox held its fourth birthday party, kicking off the show with a singer/guitarist whose name I didn't catch, followed by the debut of a brand new band (some familiar faces, and some new) Cacash and Los Poporks: bass, drums and percussion, keyboard, trumpet, flute, guitar and Satchmo-meets-Serge Gainsbourg vocals. They gave us a kind of jazz/funk stew that ranged from French-ish Django-ish standards at high speed to a very funky reading of a Herbie Hancock tune, the title of which escaped me then and continues to elude me.
Hot on the heels of Los Poporks came the Cambodian Space Project. Unfortunately we started without soundchecking, and encountered the familiar problem of getting the vocal to soar above the psychedelia. Our in-house carney-barker, Aussie Ken, kept the patter up while we twiddled knobs, switched cables, spluttered and swore. Once we solved the volume issue (unfortunately shedding some cosmonauts along the way), however, the rocket took off with resounding force, and the crowd -- which was substantial, and had been blocking tuktuk passage along Golden Street for a few hours already -- only seemed to get larger and louder. Charlie Wat Phnom pushed the groove along , The Lovely Irene made her electric debut with a blue guitar with go-faster white stripes, and Srey Thy charmed the assembled throng once again.
The crowd -- and the band -- was even larger and even louder the following night when the Mekong Pirates played FCC, their final gig with this line-up as guitarist Marion is returning to France. Once again pushing physical boundaries of the stage, the Pirates kept playing and playing until half the audience was dancing. I love the swing and sway of the Phnom Penh Horns, the rhythmic interplay of the drums and percussion, the bouncing of Gildas McSwashbuckle, the Apsaric sway of Mom … we were also treated to a brass invasion of the dance floor, and some thumping funk headed by guest The Fabulous Ms Esther.
But still the weekend was not over. Sambo the elephant turned 50, and a party was held at Wat Phnom, somewhat to her bewilderment I expect. Even more to her bewilderment was the appearance of a six-piece acoustic version of the Cambodian Space Project, leading the singing of Happy Birthday before launching into a last-minute rewrite in the form of I'm 50 (and boy is it hard to sing "haksep chnam" twice fast without spitting). After the cake cutting, the CSP reassembled for some more tunes, surrounded by a crowd of mostly Khmer onlookers.
So now I've finally achieved one of my childhood dreams: to play drums for Khmer tunes at an elephant's birthday party wearing a pink t-shirt.
See you soon -- watch out for Cambodian Space Project special Australia Day show at Snowy's over the river.
On Friday night Equinox held its fourth birthday party, kicking off the show with a singer/guitarist whose name I didn't catch, followed by the debut of a brand new band (some familiar faces, and some new) Cacash and Los Poporks: bass, drums and percussion, keyboard, trumpet, flute, guitar and Satchmo-meets-Serge Gainsbourg vocals. They gave us a kind of jazz/funk stew that ranged from French-ish Django-ish standards at high speed to a very funky reading of a Herbie Hancock tune, the title of which escaped me then and continues to elude me.
Hot on the heels of Los Poporks came the Cambodian Space Project. Unfortunately we started without soundchecking, and encountered the familiar problem of getting the vocal to soar above the psychedelia. Our in-house carney-barker, Aussie Ken, kept the patter up while we twiddled knobs, switched cables, spluttered and swore. Once we solved the volume issue (unfortunately shedding some cosmonauts along the way), however, the rocket took off with resounding force, and the crowd -- which was substantial, and had been blocking tuktuk passage along Golden Street for a few hours already -- only seemed to get larger and louder. Charlie Wat Phnom pushed the groove along , The Lovely Irene made her electric debut with a blue guitar with go-faster white stripes, and Srey Thy charmed the assembled throng once again.
The crowd -- and the band -- was even larger and even louder the following night when the Mekong Pirates played FCC, their final gig with this line-up as guitarist Marion is returning to France. Once again pushing physical boundaries of the stage, the Pirates kept playing and playing until half the audience was dancing. I love the swing and sway of the Phnom Penh Horns, the rhythmic interplay of the drums and percussion, the bouncing of Gildas McSwashbuckle, the Apsaric sway of Mom … we were also treated to a brass invasion of the dance floor, and some thumping funk headed by guest The Fabulous Ms Esther.
But still the weekend was not over. Sambo the elephant turned 50, and a party was held at Wat Phnom, somewhat to her bewilderment I expect. Even more to her bewilderment was the appearance of a six-piece acoustic version of the Cambodian Space Project, leading the singing of Happy Birthday before launching into a last-minute rewrite in the form of I'm 50 (and boy is it hard to sing "haksep chnam" twice fast without spitting). After the cake cutting, the CSP reassembled for some more tunes, surrounded by a crowd of mostly Khmer onlookers.
So now I've finally achieved one of my childhood dreams: to play drums for Khmer tunes at an elephant's birthday party wearing a pink t-shirt.
See you soon -- watch out for Cambodian Space Project special Australia Day show at Snowy's over the river.
Wednesday, January 13, 2010
Prey Veng photo share - Cambodia Space Project: 9 - 10 January
The CSP Worldwide Tour of Prey Veng now visible on Fbook for you Fbookers.
Great pics taken by The Lovely Irene (except the few she's in, of course)
Great pics taken by The Lovely Irene (except the few she's in, of course)
I don't usually do pre-show promos, but this time I will
Here we are, out standing in our (rice) field.
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