Showing posts with label Expresso Thmei. Show all posts
Showing posts with label Expresso Thmei. Show all posts

Thursday, September 23, 2010

Open mic to open mic: 15 - 22 September 2010

Way back in the middle of last week .... began the Setsara-based Phnom Penh Acoustic Sessions.  The popular Thai restaurant on Golden Street next to Equinox is catching the open-mic virus (I haven't made it to any of the others yet) and the opening night on Wednesday 15th created a great vibe from the beginning.  The proceedings were hosted, and indeed opened, by CSP leader-and-founder Julien Poulson who played a great half hour set, followed by TJ, and myself, and Expresso Thmei, and after that everything gets a bit hazy ... The Swedish Ambassador and Grizzly Adam and Bong Thom all chimed in with some accompanying guitar, bongos and harmonica, and there were different pairings and groupings throughout.  There was very quickly really nice feel and the audience were neither deafened nor deafening - the balance was good.  A special portion of the evening was Srey Thy singing accompanied only by herself on a hand-drum, which brought all the tuk-tuk drivers creeping out from the shadows to listen. 

Thursday night I had the pleasure of taking part in a theatre performance at Chenla Theatre put on by the Kok Thlok Association of Artists, whose shadow artwork currently graces the walls of Equinox.   This musical moral fable about life in contemporary Phnom Penh was part of the Lakhaon festival of Khmer theatre supported by Centre Culturel Francaise.  I joined the house band on drums for an extended nightclub scene, surrounded by musicians far superior to myself, and with whom it was a joy to work.  Look out for anything with Kok Thlok involved - you will not be disappointed.

Then Friday night the Cambodian Space Project crammed into the Alley Cat for their re-opening event, featuring some welcome renovations and a new Dallas mural, as a warm up for our official welcome home show at Equinox on Saturday night, which was an all-exploding, all-freewheeling take-no-prisoners carnival that featured drumkit damage, string breakage, vocal submersion, impromptu jamming, not enough dancing but lots of sweaty, enthusiastic punters, and a long series of encores.  Sweet exhaustion.

And now we're back to Wednesday 22nd, the second of the Setsara Acoustic Sessions, with the same cast but more - some solo from Bong Thom, the welcome appearance of Melanie, my first listens to Claire, and Scott from the Teaner Terners, and the night sealed with Julien pulling out Rocking in the free world with Melanie and Ken.   Can't wait for the next one.  And also I'm off to check out the Paddy Rice open mic tonight.

See you about. 

Monday, July 12, 2010

Mekong Space Poporks and more: 9 - 11 July 2010

It was as bit of a weekend for mixing it up and making it up. What with half the expat musical population out of town it was a matter of dragging together what we could. Friday night at Lotus Blanc featured two bands, in addition to the traditional Khmer music that played downstairs. The night kicked off with a stripped down jazz-heavy Los Poporks performing as a quartet, including Mr Dom on cornet. Very tasty. They then took off up to Chinese House to back harmonica player Doc Spann - any reports? Then followed the Cambodian Space Project featuring a special appearance from Davis Zunk on drums - he was there at the beginning of the CSP, and it was great to have his funky Nawlins thing rumbling away underneath. We were lucky to have a strongly Khmer audience, who got the dancing going, and kept it up enthusiastically.


Saturday night gave us one of those special happy events that happen from time to time just through wishing them up. A farewell party with some music at Equinox collided a birthday party at the same location, beginning with Phnom Penh newcomer TJ taking us through some propulsive Americana, followed by a set by Expresso Thmei, and then some unrehearsed but keen tunes sung and strummed by farewellee Adam with Mr Pink on the drums and TJ on harp. A few calls during the week had drawn together a collection of musicians from the for a jam, a band that during the afternoon was dubbed Los Cambodian Space Pirates (but was probably more accurately the Mekong Space Poporks) laying down some very cool grooves, a bit of funk here, a bit of fusion there, some blues and a couple of vocals. The only train wreck of the night was my overconfident leading of the band through The Long Division, which they had never heard, after a request from the floor. Still, we overcame that and played on until the inevitable noise reduction requests. A most successful experiment and a great crowd to watch it.

The Cambodian Space Project - sans accordion this time - was the pre-game entertainment for the World Cup final on Sunday night at La Croisette. We may or may not have delighted a group of Korean businessmen with our 60s Khmer pop, along with a collection of tourists, expats, interns and regular fans. The 10 pm start caused a bit of a hiccup, what with it being past bedtime for the Khmer band members, but before long we were bounding along at our usual gait playing songs about looking or not looking, talking or not talking, monkeys, whiskey and dancing. And another late, late night.

See you near a stage somewhere.

p.s. what was Doc Spann like? Anyone?

Monday, June 28, 2010

As the northern summer starts to bite into the local scene ... 23 - 26 June 2010

Ladies and Gentlemen, a new contender for best expat band in Cambodia ... but first a quick chroniciling of the week's CSP adventures.

Wednesday night at La Croisette, either side of 2 simultaneous football matches, the Cambodian Space Project did its thing, starting with a duo hampered by broken strings and including a flight across town for supplies, growing into a 5-piece Khmer rock'n'roll machine, that by 11.45, after a blistering second set, finally pulled to a close.  Special thanks to those who attended the first, wandered off for the football, but then returned for the second.  Such as new big fan Andy.

It was a quieter, more sedate Thursday night - Expresso Thmei at the opening of The 252, a new upmarket guesthouse on Street 252, where we played in front of a large swimming pool (which proved too tempting for one invitee) and a rather different than usual audience.  And no broken strings.  And also Andy. 

On Friday afternoon, the PSE school at Stung Meanchey had an end of year musical celebration that featured some great (and also some admittedly not so great, but heartwarmings) singing and dancing by kids of all ages.  The Cambodian Space Project was invited to headline, and it was one of the best experiences we have had, with 2,500 children dancing and singing along.  An absolutely exhilarating time, electric energy, and a chance to do those rockstar things that you are always a little embarassed to do in front of a grownup crowd.  The kids were both inspired and inspiring, and as my mate Ken said, a great view of the future of the nation. 

And now - Saturday night.   Los Poporks.  Equinox.  Fab. 

I haven't seen these guys since they opened for the CSP back in January, but they've morphed into something really special.  They played as a ten-piece - with two guitars, bass, drums, percussion, three singers, two trumpets, a flute, a keyboard, an occasional harmonica ... rambling across open fields of African beats, some deep soupy funk, some double-time French jazz, dipping into reggae and then jazz fusion ... and as a highpoint in the middle of the second set, a scandalous segue from the swinging-like-a-(expletive deleted) Take Five into a massive Whole Lotta Love without breaking stride.  Just outstanding.  The crowd stayed thick and bouncing through to the end, including two encores.  The sad part is I understand they're breaking down into something smaller for the European summer - just when they had proved themselves necessary!  Don't miss these guys the next time you have a chance. 

Also, on a non-musical note, make a point to check out Cambodian painter Dina Chhan's new exhibition (also, unrelatedly, at Equinox). 

See you around the traps.